My practice invites viewers to contemplate the human-horse connection. Central to my work is the narrative of my process, developing research into visual representations through photographs, interpretive paintings, and horsehair textiles.
The photographic documentation of our communication creates patterns that are stitched as tactile reminders of our intertwined history.
Gathering organic materials to create natural pigments for my paintings reflects the local landscape in which our communication takes place.
This synthesis of mediums not only conveys the narrative of my process, but also evokes the human-horse bond, highlighting its profound influence on the direction of my work.